with Lisa Neeley
Many writers have a similar reaction when they first hear about screenplay structure: “I can name 10 legendary films without an inciting incident or act two mid-point!”
The next step is usually acceptance. Acceptance that – at least for now – there are enough good arguments and examples for it to try and tackle it.
This session will prepare you for the next level.
Get back some of the freedom that dreamed of when you started analysing alternative structures and learning how to use them.