Our heavyweight producers share Big Vision. Collectively they have dominated over 5 decades, always breaking the mould, always exploring the original and the fresh. And they are still doing so.
Tony Garnett’s credits include Cathy Come Home, Kes, Cardiac Arrest Between the Lines, Law And Order , This Life , The Cops….
Ruth Caleb, OBE’s, credits includes, Last Resort, Out Of Control, Care, Bullet Boy, Judge John Deed, Pat And Margaret, Short Stay In Switzerland, The Last Days of Lehman Brothers, The Whale and A Poet in New York.
And Barbara Machin, herself a TV heavyweight (Waking The Dead) will chair the panel.
Join us for an unforgettable conversation and maybe, just maybe, you may end up rethinking your projects through the Big Vision lens.
Appearing in this session
Credits include: Blackadder, Not The Nine O'Clock News, To The Manor Born
Credits include: Last Resort, Tomorrow La Scala, A Poet in New York
Credits include: Kes, Beautiful Thing, This Life
Credits include: Waking The Dead, The Bill
Screenwriting for Film and Television
Lean from an instant classic drama. Stepping through the film live, Christopher will illustrate the characters, archetypes and journey steps as they clearly manifest in the film and screenplay.
Adapting a successful novel or other work seems like a logical evolution, but the process can be problematic. How do you navigate the minefield?
The Heros Journey meets The 21st Century Screenplay in this exclusive pairing of two of the greatest educators in the screenwriting world. Prepare to go deeper than you have even done before.
Join show Creator Chris Lang, star Sanjeev Bhaskar, and Editor Mark Davis as they reveal the secrets of crafting a long-form mystery and give you a peek behind the curtain of one of the UK’s most popular new dramas.
Stephen Volk, creator of the groundbreaking Ghostwatch will be sharing his thoughts on a 30-year career writing screen stories unfettered from normal, everyday experience, and illuminated by the dark and strange.
Our panel of Directors from both film and TV, including Jonathan Newman (Mariah Mundi and the Midas Box) and John Strickland (Line of Duty) will discuss the dynamics Writer/Director relationship both on and off set.
Using examples from worldwide sensation Game of Thrones, this enlightening class will show how grounded themes are able to soar with the help of otherworldly elements.
What was that written moment, what was that character action or specific turn of phrase that made our panel of renowned actors pick up the phone and tell their agent, ‘I’m In!’
Master the techniques used to create seemingly complex and interwoven stories with many protagonsists. Linda will reveal the secrets used by the masters.
Anne Edyvean, Head of BBC Writersroom, provides us with invaluable tips and answers those burning questions we have about breaking in and writing for the BBC.
Join Mash Report lead writer Tim Telling and executive producer Christopher Stott as they discuss the challenges of running a news-reactive television comedy show, making the transition from internet to TV and the inevitable Daily Show comparisons.
Industry experts predict that by the year 2020, China will surpass the USA as the biggest market for cinema and television entertainment. With a panel who are currently writing series and features for China, this session will provide the most up-to-the-second insights into this exciting opportunity.
Discover the seven narrative dynamics evident in Pixar movies. Scott will illustrate how Pixar filmmakers use these narrative ‘secrets’ and you can learn how you can adopt them when crafting your own stories.
Don’t fall into the career ending trap of battling with the money and getting booted over “Creative Differences”, come to this session and learn some essential tips and strategies to help you get the most out of the Producer/Writer ‘Push me/Pull you’ relationship.
Kim Zubick, producer of The Zookeeper’s Wife, talks about the process of getting a film from script to screen from the producer’s point of view.
Want to know how a gothic, period continuing thriller drama became a hit show? And what can we learn from the makers so that we too can re-create the success of Ripper Street?
Writers of true crime must serve two masters: the audience and the “characters” who exist in the real world. Neil McKay will help you thread that needle and guide you to storytelling success.
Having written for comedy and entertainment shows ranging from Miranda and Not Going Out to Top Gear and TFI Friday, writer and comedian Paul Kerensa lifts the lid on the comedymobile, tinkers around and steps back to see if any sparks fly.
Whether you write for cinema or television, this session will help you drive your career into the future, even as you find your inspiration in the past.
How do you go about adapting a JK Rowling novel into a hit TV series? Meet the team behind the transformation from book to screen.
Drawing inspiration from the great story tellers of the world, Producer and Director of the world famous NFTS, Nik Powell examines storytelling from the point of view of the producer not as is usual from the point of view of the writer or director.
Four of TV’s heaviest hitters gather to discuss the past, present and future of British TV. What can we learn from their success and how can we partner with them in the future?
After tackling the subject head on in last years thought provoking and mind-opening session, The Female Gaze returns. With some of the UK’s most ground breaking and trail-blazing wonder women, we continue the conversation that affects ALL of us.
From book, to script to screen, join us to experience the journey this extraordinary modern horror story undertook to become one of the most loving yet ferocious takes on the zombie genre.
Take a peek behind the continuing drama curtain in this mega-session with the top Producers, Writers and Consultants from Casualty, Doctors, Eastenders and Holby.
Feeling bored, confused or constrained by the old paradigms? Yet you’d like to write a tightly structured thriller that sells? It’s time to reclaim your creative freedom and master story structure!
Action films cross cultural barriers and vault a screenplay’s potential for success into the worldwide market. In this explosive session, Jeb Stuart (Die Hard, The Fugitive) will share his 30+ years of wisdom in this unstoppable powerhouse of a genre.
More details coming soon….
Meet Alex Von Tunzelmann who wrote the screenplay for Churchill. Starring Brian Cox in the role of perhaps the most revered British characters of all time, no-one can have possibly approached the subject and story without apprehension.