Writing for young audiences rarely seems to be an entry point for new writers, yet it is demonstrably a huge market that is in many ways starved for great stories.
How does writing for young people differ from say adult themed drama? And who is looking for it?
Join Mellie Buse and our esteemed panel as we explore why writing for young audiences could be the smartest choice of your career.
Appearing in this session
Credits include: Young Dracula, We Are History
Credits include: The Story Of Tracy Beaker, The Dumping Ground
Credits include: M.I.High, Peter Rabbit, House Of Anubis
Credits include: Grandpa In My Pocket