In Person and Online (all sessions streamed)
April 2nd to 4th, 2027 // Pitchfest March 31st to April 2nd
Regent’s University

How To Be A Career TV Screenwriter: From Continuing Drama to Cosy Crime and Thrillers

If you want to write for the broadcasters, streamers and enjoy a long career as a screenwriter, this will be a cracking hour with two writers doing just that.

Date: Friday, April 10th
Time: 10:10 to 11:00

Room: Tuke Hall
Filmed: YES

What does it really take to build a long-term, sustainable career in television writing? In this practical, insider-led session, Rebecca Wojciechowski and Andy Bayliss share the strategies, decisions and working practices that have shaped their careers across continuing drama, crime and thriller series.

Drawing on their extensive experience in writers’ rooms, story teams and lead writer roles, Rebecca and Andy will focus on how to move beyond “getting in” to staying in, AND progressing as a professional TV writer.

In this session, you will learn about:

  • Career pathways in television
  • Long-term career strategy
  • Genre versatility
  • Practical industry tactics
  • Pitching and development
  • Sustaining a writing career

This session is ideal for emerging and mid-level writers who want to understand how TV careers really work, and how to build one with intention, resilience and range. Participants will leave with clear, actionable insights into navigating the industry, expanding opportunities and creating a career that lasts.

Speakers In This Session

Philip Lawrence // Screenwriter

Philip began his career writing for the stage and then audio drama (Doctor Who/ Big Finish) before winning the C21 Drama Script Prize with his black comedy ‘Euthanasia In Suburbia’. He has since written numerous episodes for EastEnders, Holby City and Casualty.

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Andy Bayliss // Screenwriter

Andy Bayliss is an award winning screenwriter and showrunner. As the Lead Writer for Holby City Andy was BAFTA nominated and wrote several specials, including the RTS award winning Arthur’s Death.

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