In Person and Online (all sessions streamed)
April 2nd to 4th, 2027 // Pitchfest March 31st to April 2nd
Regent’s University

Updates and News

Helen Tompson

Why I booked next year before I even left by Helen Tompson

Last year, I partnered with Chris Jones to add to the official LSF podcast. It’s now up and running, and it’s opened doors I didn’t even know were there. So I came back this year already knowing just being at LSF could change things. What I didn’t expect was quite how much when at the closing ceremony I put my money where my mouth is!

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Chris Jones

Speakers and Pitchfest Execs Feedback 2026

‘I had an absolute ball at the festival this year. From the army of red-shirts to the positive, friendly vibes in the greenroom, and everything else in between, it was a real buzz to mingle with enthusiastic writers, pitching their best ideas, to such an interesting and wide variety of professionals. I met so many interesting people, had great conversations, and came away feeling excited and ignited about the writing industry. Thanks for having me!’ Eleanor Greene // Producer

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Chris Jones

Feedback 2026

‘Incredible experience fantastic vibe and people speakers. Super interesting sessions!’ Carolin Farber / Screenwriter, Five Stars!

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Chris Jones

Behind The Scenes at the Online London Screenwriters Festival

I asked our team, Heather and Max, to make a BTS video the experience and here’s the result, capturing some of the energy, madness, fun and exhilaration of the two days. If you want to know about the next one, the best thing you can do is sign up to our email list and you will be carpet bombed with emails about it!

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Chris Jones

Dos and Don’ts when developing your new comedy by Simon Nicholls

Writing a great sitcom isn’t just about landing jokes – it’s about crafting compelling characters, meaningful stakes and a clear point of view that keeps audiences invested. In this guide, award-winning producer Simon Nicholls shares essential dos and don’ts to help new comedy writers hit the ground running and avoid the most common pitfalls when developing a new show.

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amyrrl@gmail.com

What Streaming 12 Hours a Day at a Festival Really Looks Like

Streaming four rooms simultaneously at the London Screenwriters Festival means 12 hours a day of live output across three days, and the real work happens before anyone hits “Go Live.” From stress-testing four parallel StreamYard feeds to building redundancy on a budget, here’s what large-scale event streaming actually looks like behind the scenes.

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A screenwriter at a cinematic desk surrounded by swirling visions of alternate worlds and genre characters
Alison Weaverdyck

Your Characters are the Key: Unexpected Lessons in Worldbuilding with Genre Legends Frank Spotnitz and Peter Harness

In this recap of the LSF panel “Bending Our Reality: Creating Compelling Alternate Worlds,” Alison Weaverdyck shares key insights from Frank Spotnitz (X-Files, Man in the High Castle) and Peter Harness (Constellation, Jonathan Strange and Mr Norrell) on why connecting your audience to characters matters more than the intricacies of your world — and how to hook the 95% who aren’t super-fans.

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Cera Rose Pickering

Why I Started ‘The Screenwriters’ Slate UK’ and How It Can Help You Advance Your Career

Frustrated by the lack of consistent access to producers, execs, and agents, Cera created The Screenwriters’ Slate UK—a membership platform connecting writers directly with industry professionals through a searchable database, jobs board, competitions, and events. Designed to foster trusted relationships and create real career opportunities, the platform aims to bridge the gap between screenwriters and the wider UK film and TV industry.

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Alison Weaverdyck

The Heart of Your Script: Mastering Your Middle Act

The title of the 2025 London Screenwriting session was actually “The Heart of Your Script: Mastering Your Middle Act”, but the “dark forest” metaphor was so useful and dominant during this talk by Ted Wilkes and Phillip Hughes that I thought it deserved a chance to shine in the recap.

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