In Person and Online (all sessions streamed)
April 2nd to 4th, 2027 // Pitchfest March 31st to April 2nd
Regent’s University

Updates and News

LondonSWF Team

Big Vision: How To Attract Prolific Producers To Your Script #LondonSWF

With long term careers spanning decades in the industry, producing heavyweights, Ruth Caleb, John Lloyd and Tony Garnett joined TV legend Barbara Machin at this year’s London Screenwriters Festival to discuss how prolific producers select their ongoing work. These producer’s ‘Big Vision’ has broken the mould of established drama time and again, moving drama evolution forward through the decades. How we might attract such heavyweights to our own work often begins with understanding mindset of people who produce outstanding content and what they look for as they add to their body of work.

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LondonSWF Team

What Paul Abbott told me

Incubating Ideas and Mental Health with Paul Abbott from #LondonSWF on Vimeo. At LondonSWF I talked to Paul Abbott. Yes, the award-winning writer of

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LondonSWF Team

Die Hard Script to Screen with Jeb Stuart #LondonSWF

There is nothing quite like the London Screenwriters’ Festival live script to screen sessions. To get to sit together as a community and watch our favourite films alongside their film legend creators is a treat indeed. When they tell us in person just how it was done it’s also a huge learning experience if one can suppress awe long enough to take it in.

Die Hard is an action movie that’s not only is a great film in and of itself but which defined the genre for so many films that came after and solidified careers with it’s enduring success. Now a veteran action screenwriter Jeb Stuart joined us to talk us through the evolution of this, his first action screenplay produced, and the writing choices that made it work so very well on screen.

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LondonSWF Team

Actors And The Script: How Actors Find Their Way To Your Work #LondonSWF

Both artistically and commercially, attracting the right talent to your project can make all the difference. Actors Rebecca Root, Sanjeev Bhaskar and Casting Director Manuel Puro sat down with Screenwriter Tom Kerevan about the process of attaching actors to a project and what people look for when seeking out screenplays.

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LondonSWF Team

The Unbroken Short Film Prize 2017, a mental health awareness festival

Let’s talk about mental health.  As creative people, storytellers who are used to inhabiting other people’s lives and sharing both their stories and our own with the wider world, it should be easy, right?  Perhaps not as easy as you’d think.  Like anyone else, we can find it hard to be honest about how we’re really feeling when the answer is anything other than ‘fine, thanks’ or, if things aren’t going too well, the typically understated ‘not too bad’.

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LondonSWF Team

Six Things You Can Do Right Now To Beat Writer’s Block! #LondonSWF

Script Consultant and educator, Pilar Alessandra joined us early in the London Screenwriters’ Festival to talk about how, even among the most employed writers in Hollywood, writer’s block can stump our writing and freeze our creative motion. If you are finding yourself blocked and can’t get to the end of a script you are likely micromanaging. Speed drafting through using the following techniques will get your story to the end and then you can go back and perfect it.

Here’s six fantastic tips from the session that you can look at right now to get your writing moving again.

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LondonSWF Team

“Itches to be scratched” – 9 Cool Things from John August by Kosha Engler

My first London Breakfast Club was a cracker. At 2:30pm sharp I nabbed my front row seat at Phoenix Artist Club. Good thing too – it was packed.

Thirty minutes later John August appeared in the flesh. We went wild with applause for the great man of podcast fame and oh, one or two Hollywood films. And a musical. And a few novels. And a screenwriting app, which he designed. All “itches to be scratched.”

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LondonSWF Team

Morning Pages – 18/09/2017 by Mark Salmon

Mark Sent me this brain dump the day after the festival closed and I asked if I could share this with others and he agreed… This is his personal experienced of LondonSWF’17…

The London Screenwriters Festival is over. By the end of it, I was exhausted. It tired me because I’m an introvert. It drains me to make that much effort with so many people over that length of time.

I really enjoyed it.

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LondonSWF Team

Joseph Lidster & Louis Savy: Top Tips To Write Great Sci-Fi #LondonSWF

Science Fiction has, perhaps above other genres, developed a reputation for polarising audiences. But it’s true that some of the largest grossing film and TV properties (not to mention books and games) are in the Sci-Fi genre and have expanded their reach into the global psyche. It’s been said that those Science Fiction ideas which have become reality were more inspiration than prediction and there’s a truth to that. Well written Sci-Fi is stimulating the future of our society by holding a mirror up to who we are, where we might be headed, and what we could become instead.

At this year’s Screenwriters’ Festival TV/Radio writer Joseph Lidster (who writes Sci-Fi titles for all ages inc. Torchwood, The Sarah  Jane Adventures, Wizards Vs Aliens and Hetty Feather) joined producer & Sci-Fi London Film Festival founder Louis Savy and screenwriting professor Bob Schultz for an in depth chat about how well crafted Sci-Fi can resonate with audiences of all kinds and to tell us their top tips for making our Science Fiction writing meaningful.

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LondonSWF Team

Legal Cheat Sheet: A Brief Guide To Writing About a Real Person

If you are writing a story about another person, whether famous or not, there are different routes to achieving your aim and not falling foul of the law.

If the person is living then the best approach is to contact them and ask for their permission. This may give rise to the subject co -operating and giving you unique access to information. Further, they may agree for you to use terms to describe your script, such as the authorised story. However, the down side is that they may impose strict terms about the script and want payment. As a rough guide, the more famous they are the greater the sum, unless they have reasons for wanting to get their story out there.

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LondonSWF Team

A Look At The Spec Pile: What We Saw This Year in the Lab Submissions, by @Bang2write

So, the Script Lab participants for LondonSWF 2017 have been announced …

As ever, it was VERY difficult choosing who should advance this time, so no one who missed out should feel despondent. You were worthy opponents to each of the final six!

Here’s my annual look at the entries this year overall and the various impressions and conclusions I gathered from the pile (Philip Shelley selected his own participants) … Enjoy!

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LondonSWF Team

Will Netflix be the Phoenix arising form the ashes of Theatrical Distribution?

For better or worse (I would argue for much, much better), the growth of the Internet and subsequent worldwide reliance on it have fractured the route to market for entertainment content. Cinemas are fighting for their lives.

With very few exceptions (Wonder Woman, Guardians of the Galaxy 2), each release of the 2017 Summer season has been a lackluster blockbuster. Cinemas that cling to the traditional experience – with their high operating expenses and constant assault from other entertainment options – are on the tumble.

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LondonSWF Team

How Christopher Vogler opened my eyes by Dorothée Kuepers

What sets Christopher Vogler apart from other screenwriting practitioners and ‘gurus’ is his approach.

I have had the privilege of attending a masterclass by Christopher Vogler at a film festival in 2013. Having studied his book, The Writer’s Journey for my dissertation, this was a real treat.

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