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April 2nd to 4th, 2027 // Pitchfest March 31st to April 2nd
Regent’s University

Podcast Ep007: Meet Matt White, On Screenwriting & Pitching

From Talent Campus to Feature Films: Matt White’s Journey in Screenwriting

Matt White’s journey from Talent Campus participant to successful filmmaker is a testament to the power of perseverance and networking. He describes the Talent Campus as “the most awesome cult I’ve ever joined in my life,” highlighting the invaluable peer network he developed through the program. This network proved crucial in his subsequent projects, including the feature film “Paul Dood’s Deadly Lunch Break.”

The making of “Paul Dood’s Deadly Lunch Break” showcases the collaborative nature of filmmaking. Matt and his director friend, Nick Gillespie, transformed a dark thriller into a black comedy, involving talented actors and navigating the festival circuit. The film premiered at South by Southwest and later found its way to streaming platforms. Matt emphasizes the importance of being “beautifully ruthless” in pursuing opportunities and building connections after the film’s release.

One of the most significant takeaways from Matt’s experience is the value of on-set experience for writers. He encourages aspiring screenwriters to “get on set, be a runner” to better understand the collaborative process of filmmaking. This hands-on experience can provide invaluable insights into how various crew members contribute to and enhance the original vision.

Perhaps the most inspiring aspect of Matt’s story is his journey to overcome his fear of public speaking. The Talent Campus experience helped him embrace his natural energy and enthusiasm, leading to success in pitching competitions. His win at the Sundance London pitching competition, where he pitched the feature film version of “The Sin Eater,” stands out as a testament to his growth and the skills he developed through the program.

Recent Podcast Episodes

Access all podcasts HERE.

Podcast Ep024: Anthony Horowitz, Success Strategies for Screenwriters

Anthony Horowitz’s journey into screenwriting began with what he calls pure desperation – not his own, but that of the producers of Robin of Sherwood who needed someone to write for their show. With no television writing experience whatsoever, Horowitz literally bought a “How to Write Television” book and taught himself the craft.

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Podcast Ep022: My First Time In Cannes with Talent Camper Rebecca Colby

Here’s the thing that might surprise you – Rebecca didn’t even have a finished project to pitch when she decided to attend. Like many of us, she questioned whether she should wait until she had something concrete to show. But as she discovered, that’s not what Cannes is all about. It’s about diving in, making connections, and learning the ropes of the industry. As she put it, “I’m so glad I did because I’ve learned so much this week.”

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