In Person and Online (all sessions streamed)
April 2nd to 4th, 2027 // Pitchfest March 31st to April 2nd
Regent’s University

Writing for Broadcast in 2026: From Page to Screen with ‘The Feud’

A practical deep dive into how The Feud went from script to screen, and how to write bold, broadcast-ready TV on a modern budget.

Date: Sunday, April 12th
Time: 11:30 to 12:20

Room: Herringham Hall
Filmed: YES

Go behind the scenes of modern television storytelling in this in-depth session with the creative team behind the Ch5 show ‘The Fued’. This session brings together writer Aschlin Ditta, director Andy De Emmony, and moderator/producer Sarah Winstanley for a practical, no-nonsense exploration of how a TV show is truly made, today.

More than a case study, it’s a deep dive into the full creative pipeline, from initial concept through writing, production, and direction, with a sharp focus on how scripts evolve into finished scenes and shows.

Attendees will examine real pages from The Feud alongside the final on-screen results, getting insight into the decisions, compromises, and creative solutions that shape broadcast television.

With budgets tightening and expectations rising, the session will explore how writers can adapt their work, crafting compelling, emotionally resonant stories that are also production-aware. Learn how to write with intention: maximizing drama, character, and visual impact while working within the realities of modern broadcasting constraints. Discover the practical techniques and storytelling strategies that allow TV makers to achieve ambitious results on limited resources.

Expect real examples, candid discussion, and actionable insights you can apply immediately to your own work.

Speakers In This Session

Andy de Emmony // Director

Award-winning director Andy has helmed iconic comedy and acclaimed drama—from Spitting Image and Red Dwarf to Vigil and Netflix’s The Woods—building a career defined by versatility, critical success, and global reach.

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Sarah Winstanley // Producer

Sarah is a seasoned television production leader with 20 years’ experience across major UK broadcasters and independent production, combining strategic commissioning, scheduling and finance expertise with hands-on delivery of film and TV projects from development to broadcast.

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